Agatha Christie adopted the pen name Mary Westmacott to publish six romance novels. The word "romantic" is in
quotations simply because these novels are not in the actual sense of the word or even like the literary era called
"romanticism." Critics have even gone as far as saying these six novels aren't romance, they're simply, well,
just--novels. They're romantic because these stories aren't unhappy, they give us some added values to life, and
they affirm living.
The focus on these books is human relationship. There's even a hint of autobiographical elements that Christie
inserts. There are several themes, to briefly mention a few: possessiveness, failure in human perception, nature
and the inequality of love, self-evaluation, and awareness of one's and others' feelings. In the books there are
even contemplation of suicide and supernatural elements.
As Westmacott, she is a distinct person from Agatha Christie. In 1950, when she was invited to a celebration
for her work, she quipped, "Thank you for asking me to meet Agatha Christie. If you don't mind, I am bringing my
old friend Mary Westmacott with me."
Why romance novels?
The Westmacott novels were simply written for "fun," to put it loosely. Christie had said in her autobiography
that she wanted "to do something that is not my proper job," i.e., writing detective novels. She said she wrote
the first, Giant's Bread, with a "rather guilty feeling" and enjoyed the project she had undertaken.
Although Mary Westmacott was revealed to be Agatha Christie in 1949, it didn't stop her from publishing two more
Westmacott novels, still under her pseudonym. This is another affirmation that Agatha could write more than just
great detective stories.